This is a really engaging discussion, and I will definitely reply to some of the other great points raised here soon. For now, I want to focus on the potential impact these generations could have on observation quality and data integrity:
I completely agree with you on the numbers. 422 pages of copyright infringements versus 12 pages of AI flags over the same period is a stark contrast. However, the AI flag is still very new, and I suspect many users are not even aware that it exists yet. And importantly: at the moment we are mostly seeing and flagging the bad or obvious AI generations.
To test this for myself, I ran a small experiment using two of my own photographs as image-to-image references instead of text-to-image as before for Gemini to see whether the outputs could plausibly pass as real observations:
- A macro shot of a Griposia aprilina
- A slightly out-of-focus, low-quality documentary shot of an ant-mimic jumping spider
Gemini created completely new and unique images based on my photos and the prompt consisted of a single sentence: “Generate a new image based on this one.” It is nothing that takes a long time or requires any specific technical knowledge. This takes the issue beyond traditional copyright infringement. These are not 1:1 copies, meaning reverse image search would not detect them. More importantly, the AI did not just recreate the macro image convincingly; it also replicated the blurry, imperfect aesthetic of the spider photograph, including realistic sensor noise and lack of sharpness. In other words, it successfully reproduced “mediocrity” as well as technical quality.
I remember you mentioning earlier that AI “enhancements” (for example generative object removal or de-blurring) may currently be a more practical concern than fully generated images, partly because there is less incentive to fabricate observations from scratch. I understand that argument, and I share the concern about heavily processed observations. However, image-to-image generation increasingly blurs the line between “enhancement” and full fabrication.
It also creates a new incentive structure: users could generate entirely novel yet highly plausible observations with minimal effort simply to inflate statistics or participation metrics. At that point, the issue is no longer just aesthetic manipulation - it becomes the quiet creation of fictional data points.
I attached all images below (my original photographs and the AI generations). Looking at them side by side, can we confidently distinguish the real organisms from the generated ones? And importantly: in this example everyone already knows that two of them are fake. Under normal circumstances, users would not have that warning - and many identifiers confirm familiar species directly through the Identify module without ever opening the full observation to take a closer look (which wouldn’t make much of a difference here anyway).
The larger concern is not necessarily what is easiest to upload, but that many users - including experienced identifiers - may no longer be able to reliably distinguish sophisticated AI generations from genuine photographs, especially when the generated image intentionally mimics realistic imperfections. At the same time, iNaturalist’s identification workflow is built around community agreement, and many users understandably rely on existing IDs rather than independently verifying every observation in detail. Highly plausible AI images could therefore pass through the normal consensus process and achieve “Research Grade”.
As AI tools become more accessible and integrated into everyday workflows, the number of undetected generated observations entering the dataset may increase substantially.
A stolen copyrighted image is still at least a photograph of a real organism, even if uploaded improperly or attributed to the wrong person. A convincing AI-generated image, by contrast, may introduce entirely fictional biological records into the database while remaining effectively invisible to normal review processes.
I do not pretend to have an easy solution here. The technology is advancing extremely quickly, and detection is becoming increasingly difficult. But I do think it is important to acknowledge how difficult this problem may become precisely because the fabricated observations are often so plausible.
Out of curiosity, I am considering setting up a small external test among my own Instagram followers to see how reliably people can distinguish the generated images from the real ones.
Perhaps staff members - or a small group of users in coordination with staff - could eventually run a controlled experiment on the platform itself. By using clearly designated test accounts and uploading a limited number of generated observations under supervision, it might be possible to measure how often such content is actually detected and flagged versus how often it passes unnoticed into “Research Grade”. That could help determine whether this is likely to remain a niche issue or become a more significant long-term concern.