I use tools from Topaz. AI Sharpen and AI Denoise, specifically. Plus on occasion, Gigapixel. I also use DxO PureRaw.
It all comes down to the words ‘use’ vs. ‘over-use’. And it takes a while to learn how to get the best and least noticeable results. I’m still learning!
I find that the denoisers are likely the most useful tools. PureRaw only works on RAW, and only on supported cameras. But it works so well that I depend on it now for camera purchasing choices! The company has invested a lot of R&D time and money tweaking the RAW models in all the different cameras and lenses, and it really shows! PureRaw is more of a batch processor. You can drop a bunch of files or a folder into it and go get a coffee while it ‘cooks’.
What I have found so helpful about the denoisers (I also use Topaz Denoise, sometimes in combo with PureRaw) is that they open up the high ISO range of any of the cameras that they support. The detail that is found is real, it’s just lurking in the pixel patterns that only the RAW format conveys. When you view a high ISO shot on the camera’s screen it can look unbelievably bad and noisy. The camera cannot process to the same level that a full blown, fairly powerful, laptop or desktop with a high-end GPU can achieve. And even then, you could be looking at anywhere from a few seconds to a minute per image to get where you want to go, and see things cleared up.
In some ways, I like PureRaw’s limited adjustment options as compared to Topaz’s multi-model workflow. It’s far easier to get artifacts introduced when you have users tweaking all the sliders.
There’s a procedural sequence to the Topaz lab stuff too. Some people don’t follow that. Or don’t know enough to judge when they can modify it. Or, very commonly, they crank the sliders too much or they push the algorithms to fantasy levels.
On the other hand, done right – and suddenly, there’s stuff in the shadows that you didn’t see at all. Or tiny hairs appear in what looked just like little fuzz lines.
But all in all, I embrace this tech for what it can achieve in terms of species identity work. I know that rankles a lot of photo purists, but as I have said many times, we’re not doing this for art. If it looks pro and beautiful – great! But more important is nailing an ID.
Right?