Thanks for your input, Lucy. Very helpful!
The generational tech divide slid me into thinking about something I have no tabs on and that is the tech GENDER divide. When I was in my geek-nymph phase in high school, I was part of a very tiny group, and all guys. Then when the same tech we were playing with became more mainstream (more or less), it stalled in the gamer-realm first. Then finally, when things moved past the fledgling, quirky internet emergence, it suddenly became far more equalized. Which was great, IMO, except – the main reason tech has become so ubiquitous is that it reached a level of low-tech entry. Heck, even MY parents were on it!
But I don’t know how much of a dent interest in getting around the front curtains of user-friendly tech the younger generation is today, especially with women. It’s much better I think, but it’s still a relatively minor slice.
Cameras (phone and otherwise) have followed a very similar tech comfort projectory. Even top pro models now incorporate so many AI-driven auto-modes and enhancements, it must be tricky to meet the wide spectrum of user demands. That said, cellphone cams are probably the most reluctant devices to gain access to things that do a camera AI bypass.
Even for my own macro work, I use a relatively older (used, of course) but good quality camera and its almost always parked in manual mode as I have a manual lens and over time, I have learned to ‘read the room’ when it comes to f stops, ISOs, and flash levels much better than the auto modes give me. It took a year or so though to fine-tune things and I’m still learning!
From my professional career experience (graphic designer, 35 years), the most commonly difficult tech subject to teach anyone unfamiliar with imaging tech, remains the whole idea of optical resolution. How many pixels wide is that subject BEFORE you add digital assistance? After that, it’s probably the idea of depth-of-field and shutter speeds. All three areas are primary concerns of macro work in particular.
Proof is always in the pudding of course, but it’s become almost too easy to assume that the camera will always give you what you expect it should.
Anyhow, back to the high school class. Maybe limit the advice to as low-tech or as easy to try, suggestions and focus more on stuff like basic composition.
iNat IDers will roll eyeballs up when you bring up the subject of poor cropping as one of the most common beginner mistakes. Especially when users upload their full size 6000 pixel wide images and are surprised that you can’t zoom in to see the detail they’re seeing on their machines. Cropping to maixmize your detail is easy enough to describe, but it takes a little practice and understanding (wouldn’t a hovering small detail ‘loupe’ window on your submission screen that shows you a small preivew of what the image will look like at 100% in iNat be a nice addition?).
Lighting is fairly flexible or more so than it used to be with more sensitive sensors. But as its prioritized in most auto modes, it can kill detail with closeups as it will often shift the shutter to longer times resulting in blurring in the close range to compensate for poor lighting. Easy (?) fix? Add light. Reflective white cards, flash, handheld or head-mounted cheapy LED lights (though they have a hidden weakness too). But at least the tech to add lighting is flexible and workable once you start seeing the results.
Anyhow, sorry for thel long blob of tech pondering, but again, thanks for your input. It’s a long stretch back to my memories of high school days that you’re kind of a bridge, with frontline contacts. Thanks!